Monday, June 15, 2015
Friday, November 7, 2014
This will be the first of a new series, the Flora Garibaldi Art History Mysteries. Flora, a paintings conservator, uses many traditional pigments in her restoration work.
Friday, July 18, 2014
Thursday, February 6, 2014
This book allowed me to invent a whole new set of characters (although Lisa Donahue makes a cameo appearance) and set the action in one of my favorite cities on earth. An international conference a few years ago gave me the opportunity to return to Siena for a week and soak up atmosphere, take pictures of potential scenes for the book, and indulge in my favorite pasta dishes. Our conference was housed in an old psychiatric hospital in the southern part of the city--a fact I could not resist using in the novel.
The research for this book was mesmerizing. The world of illegal antiquities smuggling is now well-documented in books and movies, and art forgery receives nearly as much press. I used books such as Roger Atwood's Stealing History: Tomb Raiders Smugglers, and the Looting of the Ancient World and Peter Watson and Cecilia Todeschini, The Medici Conspiracy: The Illicit Journey of Looted Antiquities—From Italy's Tomb Raiders to the World's Greatest Museums. I incorporated my own experiences: traveling in Italy, working in painting conservation as a student at the Cincinnati Art Museum and visiting the Iceman museum in Bolzano.
"Burnt Siena" is currently being proofread before I submit it. I hope I can find a new publishing home for this novel, and that Flora will be the heroine of a new series.
Wednesday, September 11, 2013
A few months ago, I was contacted by a German woman running a book review blog. She wanted me to know that she was posting about "Bound for Eternity," my second book in the Lisa Donahue series. She liked the story and the writing, but found the cover inadequate. I wrote her to ask why, and she told me that although the cover design was fine, the mummy image on the cover (perfectly intelligible to me) looked like "garbage" or a pile of rags to her. I had to admit she was right--to people who hadn't worked with that mummy and known that the deteriorated head contained the remains of a face portrait, it DID look like a pile of rags. Here is the old cover:
Lesson learned. I needed to step back from that project, where I'd been obsessed by the content, and look at the book through the eyes of someone who'd never seen it before. I needed a new cover that was instantly recognizable as a mummy in a museum, a cover that referenced the mystery within. "Bound for Eternity" is the story of an archaeologist who discovers that a clue contained in an Egyptian mummy will help her solve a murder in her Boston museum. The new cover, designed by Josue Atibalentja of NewgenIT (a brand new computer consulting business) and my daughter Emily, does a much better job of telling my story. Here is the new cover:
Monday, July 23, 2012
Friday, June 22, 2012
>Born and raised on the East Coast, I had no clue the Midwest would become my home. Writing this book led me to take an architectural history tour of our university town, visit local archives, sit mesmerized in front of Ken Burn’s PBS series on Prohibition, and soak up the stories of local residents. All this has enriched my appreciation of where I live.